Dany Albiach est n\u00e9 en 1999 et vit et travaille \u00e0 Lyon. Dipl\u00f4m\u00e9 de la Villa Arson en
\n2024, il d\u00e9veloppe une pratique artistique plurielle. Par le biais du dessin, de la
\nphotographie, de la sculpture et de la s\u00e9rigraphie, Dany explore les notions de trace,
\nde m\u00e9moire et de r\u00e9activation du pass\u00e9, en interrogeant la mat\u00e9rialit\u00e9 des images et
\nleur capacit\u00e9 \u00e0 construire des r\u00e9cits. Au c\u0153ur de ses compositions, on y retrouve des
\nfragments de sa m\u00e9moire, des archives familiales, mais aussi de la fiction. Cette
\napproche multiple donne naissance \u00e0 des \u0153uvres sensibles, silencieuses qui invitent
\n\u00e0 repenser la continuit\u00e9 du temps. De son passage en classe pr\u00e9paratoire \u00e0 l\u2019\u00c9cole
\nnationale sup\u00e9rieure des beaux-arts de Lyon en 2017 \u00e0 sa r\u00e9sidence \u00e0 Issoudun en
\n2025, ses exp\u00e9riences pass\u00e9es contribuent \u00e0 nourrir et \u00e0 structurer sa recherche
\nartistique.<\/p>\n\n
Du 3 mars au 2 mai 2026, Dany Albiach pr\u00e9sente \u00ab\u00a0M\u00e9moire Fugitive\u00a0\u00bb, une exposition personnelle \u00e0 la 46 St Paul Gallery, \u00e0 Saint-Paul-de-Vence.<\/p>\n\n
Il est laur\u00e9at de la bourse de la Francis Bacon MB Art Foundation \u00e0 l\u2019issue d\u2019une
\ns\u00e9lection qui mettait en course six jeunes artistes dipl\u00f4m\u00e9(e)s en 2024 et 2025 de la
\nVilla Arson, se distinguant par leur pratique de la peinture et du dessin.<\/p>\n\n<\/figure>\n\n
Sans titre<\/em>, 2024, graphite et s\u00e9rigraphie sur bois, 100 \u00d7 57 \u00d7 4,5 cm\/Sans titre<\/em>, 2024, quadrichromie sur bois, 100 \u00d7 10 \u00d7 4 cm\/Sans titre<\/em>, 2024, graphite et s\u00e9rigraphie sur bois, 100 \u00d7 46 \u00d7 4 cm\u00a0\u00a9 Antoine Aphesbero\/Villa Arson<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":true},"institution":[83],"class_list":["post-8819","recipient","type-recipient","status-publish","hentry","institution-villa-arson"],"acf":[],"yoast_head":"\nDany Albiach - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dany Albiach - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Dany Albiach est n\u00e9 en 1999 et vit et travaille \u00e0 Lyon. Dipl\u00f4m\u00e9 de la Villa Arson en
2024, il d\u00e9veloppe une pratique artistique plurielle. Par le biais du dessin, de la
photographie, de la sculpture et de la s\u00e9rigraphie, Dany explore les notions de trace,
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2024, il d\u00e9veloppe une pratique artistique plurielle. Par le biais du dessin, de la
photographie, de la sculpture et de la s\u00e9rigraphie, Dany explore les notions de trace,
de m\u00e9moire et de r\u00e9activation du pass\u00e9, en interrogeant […]","og_url":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/","og_site_name":"MB Art Foundation","article_modified_time":"2026-02-23T17:34:17+00:00","og_image":[{"width":640,"height":360,"url":"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2026\/02\/Work_DanyAlbiach-Medium.jpeg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/","url":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/","name":"Dany Albiach - MB Art Foundation","isPartOf":{"@id":"https:\/\/www.mbartfoundation.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/#primaryimage"},"image":{"@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/#primaryimage"},"thumbnailUrl":"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2026\/02\/Work_DanyAlbiach-Medium.jpeg","datePublished":"2026-02-22T19:36:42+00:00","dateModified":"2026-02-23T17:34:17+00:00","breadcrumb":{"@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/#primaryimage","url":"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2026\/02\/Work_DanyAlbiach-Medium.jpeg","contentUrl":"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2026\/02\/Work_DanyAlbiach-Medium.jpeg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/dany-albiach\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.mbartfoundation.com\/"},{"@type":"ListItem","position":2,"name":"Dany Albiach"}]},{"@type":"WebSite","@id":"https:\/\/www.mbartfoundation.com\/#website","url":"https:\/\/www.mbartfoundation.com\/","name":"MB Art Foundation","description":"site tagline","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.mbartfoundation.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"}]}},"_links":{"self":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/recipient\/8819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/recipient"}],"about":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/types\/recipient"}],"wp:attachment":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/media?parent=8819"}],"wp:term":[{"taxonomy":"institution","embeddable":true,"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/institution?post=8819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":8749,"date":"2026-02-04T17:38:09","date_gmt":"2026-02-04T17:38:09","guid":{"rendered":"https:\/\/www.mbartfoundation.com\/recipient\/natasha-shoory\/"},"modified":"2026-02-16T14:15:29","modified_gmt":"2026-02-16T14:15:29","slug":"natasha-shoory","status":"publish","type":"recipient","link":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/natasha-shoory\/","title":{"rendered":"Natasha Shoory"},"content":{"rendered":"\n<p>Natasha Shoory est titulaire d\u2019un doctorat de l\u2019Universit\u00e9 de Durham, obtenu en collaboration avec l\u2019ENS Paris-Ulm, sous la direction de Tom Stammers, Charlotte Guichard et Thomas Wynn. Sa th\u00e8se, intitul\u00e9e \u00ab From the Footnotes to the Focus: Reframing Women\u2019s Collections of Art in EighteenthCentury Paris \u00bb, explore la notion de \u00ab go\u00fbt genr\u00e9 \u00bb et d\u00e9montre que les collections f\u00e9minines repr\u00e9sentent l\u2019\u00ab id\u00e9al \u00bb auparavant r\u00e9serv\u00e9 \u00e0 une \u00e9lite masculine d\u2019amateurs. Elle est \u00e9galement titulaire d\u2019un master en langues modernes (fran\u00e7ais) de l\u2019Universit\u00e9 d\u2019Oxford, d\u2019un master en histoire de l\u2019art et du collectionnisme de l\u2019IESA Paris\/Universit\u00e9 de Warwick et d\u2019une licence en histoire de l\u2019art de l\u2019Universit\u00e9 de Sydney, en Australie.<\/p>\n\n<p>Retour \u00e0\u00a0<a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/musee-du-louvre-prix-denon\/#detail\">Mus\u00e9e du Louvre | Prix Denon<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"institution":[82],"class_list":["post-8749","recipient","type-recipient","status-publish","hentry","institution-denon-prize"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Natasha Shoory - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/recipient\/natasha-shoory\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Natasha Shoory - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Natasha Shoory est titulaire d\u2019un doctorat de l\u2019Universit\u00e9 de Durham, obtenu en collaboration avec l\u2019ENS Paris-Ulm, sous la direction de Tom Stammers, Charlotte Guichard et Thomas Wynn. 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Sa dissertation traitait des \u0153uvres produites par le BLK Art Group dans les ann\u00e9es\u00a01980, et de la mani\u00e8re dont ces artistes ont reconfigur\u00e9 visuellement la masculinit\u00e9 et la f\u00e9minit\u00e9 noires en opposition au canon artistique occidental.<\/p>\n\n<p>Ruby a ensuite entrepris un master en histoire de l\u2019art et culture visuelle au Christ Church College d\u2019Oxford, qu\u2019elle terminera en 2026. Elle est la premi\u00e8re laur\u00e9ate de la bourse d\u2019\u00e9tudes \u00ab\u00a0Majid Boustany Oxford Graduate Scholarship\u00a0\u00bb, cr\u00e9\u00e9e pour soutenir des \u00e9tudiants menant des recherches sur l\u2019art moderne et contemporain.<\/p>\n\n<p>Sa dissertation de master portera sur les sculpteurs britanniques noirs du XX\u1d49\u00a0si\u00e8cle, et abordera notamment le travail d\u2019artistes tels que Ronald Moody, George \u00ab\u00a0Fowokan\u00a0\u00bb Kelly, Donald Locke et Bill Ming. Elle se concentrera sur la question de la mat\u00e9rialit\u00e9 de leurs \u0153uvres, et cherchera \u00e0 expliquer comment le colonialisme a influenc\u00e9 les relations de la diaspora avec les mat\u00e9riaux naturels. Ruby explorera \u00e9galement la mani\u00e8re dont l\u2019anatomie noire se trouve fa\u00e7onn\u00e9e par des mains noires qui cr\u00e9ent les sculptures tout en construisant simultan\u00e9ment des th\u00e9ories de genre et de race. Ses recherches prendront en compte \u00e0 la fois la culture visuelle du colonialisme britannique et l\u2019impact de la d\u00e9colonisation sur les repr\u00e9sentations sculpturales.<\/p>\n\n<p>Parall\u00e8lement \u00e0 son cursus universitaire, Ruby exerce une activit\u00e9 professionnelle de commissaire d\u2019exposition depuis 2024. Elle s\u2019attelle \u00e0 tisser des liens entre les publics et des \u0153uvres d\u2019art souvent exclues des espaces d\u2019exposition.<\/p>\n\n<p>Retour \u00e0\u00a0<a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/universite-doxford-bourse-de-master\/#detail\">Universit\u00e9 d\u2019Oxford | Bourse de Master<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"institution":[80],"class_list":["post-8733","recipient","type-recipient","status-publish","hentry","institution-university-of-oxford"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ruby Duncan - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/recipient\/8728\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ruby Duncan - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Ruby A.\u00a0Duncan a obtenu en 2025 une licence d\u2019histoire au Worcester College de l\u2019universit\u00e9 d\u2019Oxford. 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Sa th\u00e8se, portant sur l\u2019histoire du patrimoine iranien, a fait l\u2019objet d\u2019une convention d\u2019accueil en tant que chercheuse associ\u00e9e au mus\u00e9e du Louvre, entre 2015 et 2018, au sein du d\u00e9partement des Arts de l\u2019Islam. Elle a ensuite \u00e9t\u00e9 nomm\u00e9e conservatrice en charge des collections iraniennes au Victoria and Albert Museum \u00e0 Londres et elle a contribu\u00e9 \u00e0 ce titre \u00e0 l\u2019exposition temporaire Epic Iran (de mai \u00e0 septembre 2021). Depuis janvier 2024, elle est responsable de l\u2019unit\u00e9 patrimoniale Afrique du Nord et Moyen-Orient, au sein du d\u00e9partement du patrimoine et des collections du mus\u00e9e du quai Branly-Jacques Chirac \u00e0 Paris.<\/p>\n\n\n\n<p>Retour \u00e0 <a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/musee-du-louvre-prix-denon\/#detail\">Mus\u00e9e du Louvre | Prix Denon<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":true},"institution":[82],"class_list":["post-7639","recipient","type-recipient","status-publish","hentry","institution-denon-prize"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sarah Piram - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/sarah-piram\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sarah Piram - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Sarah Piram est historienne de l\u2019art, docteure de l\u2019universit\u00e9 Paris Nanterre et sp\u00e9cialiste du monde islamique. 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Sa recherche doctorale est en cours de publication au sein des Presses Universitaires de Bordeaux.<\/p>\n\n\n\n<p>Retour \u00e0 <a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/musee-du-louvre-bourse-de-recherche\/#detail\">Mus\u00e9e du Louvre | Bourse de recherche<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"institution":[81],"class_list":["post-7638","recipient","type-recipient","status-publish","hentry","institution-musee-du-louvre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u00e9a Tichit - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u00e9a Tichit - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Docteure en histoire de l\u2019art, L\u00e9a Tichit est ma\u00eetresse de conf\u00e9rences associ\u00e9e \u00e0 l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture et de Paysage de Bordeaux et chercheuse associ\u00e9e au Centre de recherche en histoire de l\u2019art Fran\u00e7ois-Georges Pariset \u00e0 l\u2019Universit\u00e9 Bordeaux Montaigne. Elle enseigne \u00e9galement au sein des Universit\u00e9s Bordeaux Montaigne et Toulouse Jean Jaur\u00e8s, ainsi qu\u2019\u00e0 l\u2019Institut […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/\" \/>\n<meta property=\"og:site_name\" content=\"MB Art Foundation\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-07T14:51:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lea-tichit\\\/\",\"url\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lea-tichit\\\/\",\"name\":\"L\u00e9a Tichit - MB Art Foundation\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/#website\"},\"datePublished\":\"2025-06-11T19:54:51+00:00\",\"dateModified\":\"2025-09-07T14:51:57+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lea-tichit\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lea-tichit\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lea-tichit\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.mbartfoundation.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"L\u00e9a Tichit\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/#website\",\"url\":\"https:\\\/\\\/www.mbartfoundation.com\\\/\",\"name\":\"MB Art Foundation\",\"description\":\"site tagline\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.mbartfoundation.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"L\u00e9a Tichit - MB Art Foundation","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/","og_locale":"fr_FR","og_type":"article","og_title":"L\u00e9a Tichit - MB Art Foundation","og_description":"Docteure en histoire de l\u2019art, L\u00e9a Tichit est ma\u00eetresse de conf\u00e9rences associ\u00e9e \u00e0 l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture et de Paysage de Bordeaux et chercheuse associ\u00e9e au Centre de recherche en histoire de l\u2019art Fran\u00e7ois-Georges Pariset \u00e0 l\u2019Universit\u00e9 Bordeaux Montaigne. Elle enseigne \u00e9galement au sein des Universit\u00e9s Bordeaux Montaigne et Toulouse Jean Jaur\u00e8s, ainsi qu\u2019\u00e0 l\u2019Institut […]","og_url":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/","og_site_name":"MB Art Foundation","article_modified_time":"2025-09-07T14:51:57+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/","url":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/","name":"L\u00e9a Tichit - MB Art Foundation","isPartOf":{"@id":"https:\/\/www.mbartfoundation.com\/#website"},"datePublished":"2025-06-11T19:54:51+00:00","dateModified":"2025-09-07T14:51:57+00:00","breadcrumb":{"@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lea-tichit\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.mbartfoundation.com\/"},{"@type":"ListItem","position":2,"name":"L\u00e9a Tichit"}]},{"@type":"WebSite","@id":"https:\/\/www.mbartfoundation.com\/#website","url":"https:\/\/www.mbartfoundation.com\/","name":"MB Art Foundation","description":"site tagline","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.mbartfoundation.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"}]}},"_links":{"self":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/recipient\/7638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/recipient"}],"about":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/types\/recipient"}],"wp:attachment":[{"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/media?parent=7638"}],"wp:term":[{"taxonomy":"institution","embeddable":true,"href":"https:\/\/www.mbartfoundation.com\/fr\/wp-json\/wp\/v2\/institution?post=7638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":7632,"date":"2025-06-11T19:11:31","date_gmt":"2025-06-11T19:11:31","guid":{"rendered":"https:\/\/baconseo.wpenginepowered.com\/recipient\/cerise-thelwall-doussot\/"},"modified":"2025-08-06T08:11:50","modified_gmt":"2025-08-06T08:11:50","slug":"cerise-thelwall-doussot","status":"publish","type":"recipient","link":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/cerise-thelwall-doussot\/","title":{"rendered":"Cerise Thelwall Doussot"},"content":{"rendered":"\n<p>Apr\u00e8s l\u2019obtention d\u2019une licence en histoire de l\u2019art au Courtauld Institute of Art (University of London), Cerise Thelwall Doussot a, sous la direction de Cecilia Hurley-Griener (Universit\u00e9 de Neuch\u00e2tel), \u00e9tudi\u00e9 en master d\u2019histoire de l\u2019art et de mus\u00e9ologie \u00e0 l\u2019\u00c9cole du Louvre la r\u00e9ception de l\u2019\u0153uvre de J.-H. Fragonard dans la seconde moiti\u00e9 du XIX \u00e8me si\u00e8cle et l\u2019impact de ces \u00e9crits sur l\u2019interpr\u00e9tation de l\u2019\u0153uvre de l\u2019artiste jusqu\u2019\u00e0 nos jours (\u00ab Jean Honor\u00e9 Fragonard : nouveaux regards sur un peintre parisien du temps des Lumi\u00e8res \u00bb, m\u00e9moire de master 2, \u00c9cole du Louvre, 2010).<\/p>\n\n\n\n<p>Elle travaille depuis 2020 \u00e0 la r\u00e9daction d\u2019une th\u00e8se de doctorat, sous la direction de Cecilia Hurley-Griener (enseignante \u00e0 l\u2019\u00c9cole du Louvre) et de C\u00e9cile Debray (Directrice du mus\u00e9e de l\u2019Orangerie, Paris). Sa th\u00e8se, intitul\u00e9e \u00ab Francis Bacon et les collections parisiennes \u00bb, s\u2019interroge sur l\u2019impact de ce que l\u2019artiste a pu voir dans les collections d\u2019art parisiennes, principalement mus\u00e9ales, sur son \u0153uvre. Elle est laur\u00e9ate de la deuxi\u00e8me bourse de recherche en histoire de l\u2019art attribu\u00e9e par la Francis Bacon MB Art Foundation, dans le cadre du partenariat \u00e9tabli par la Fondation avec l\u2019\u00c9cole du Louvre.<\/p>\n\n\n\n<p>En partant d\u2019une exploration approfondie des liens entre l\u2019artiste et la ville de Paris, sa recherche vise \u00e0 r\u00e9unir les traces, t\u00e9moignages et correspondances portant non seulement sur les s\u00e9jours parisiens de Francis Bacon, mais \u00e9galement sur ses visites mus\u00e9ales et sa fa\u00e7on d\u2019appr\u00e9hender l\u2019art du pass\u00e9 dans ce contexte. Bacon est un artiste connu pour son emploi d\u2019images pr\u00e9existantes, appartenant \u00e0 des cat\u00e9gories diverses, dans la conception de ses toiles. De plus, l\u2019affection de Bacon pour la ville de Paris est bien document\u00e9e. En passant par l\u2019identification et l\u2019analyse des sources visuelles parisiennes de Francis Bacon, ce projet vise \u00e0 explorer la fa\u00e7on dont l\u2019artiste s\u2019est appropri\u00e9 certaines \u0153uvres des collections parisiennes ainsi que la mani\u00e8re dont il aurait investi les lieux artistiques de la ville (mus\u00e9es, galeries\u2026) tout en consid\u00e9rant ses fr\u00e9quentations au sein des cercles artistiques parisiens. L\u2019objectif de sa th\u00e8se est d\u2019\u00e9valuer l\u2019impact de cette appropriation sur son \u0153uvre, et d\u2019\u00e9lucider plus largement le r\u00f4le de la capitale fran\u00e7aise dans sa carri\u00e8re d\u2019artiste.<\/p>\n\n\n\n<p>Parall\u00e8lement \u00e0 ses activit\u00e9s universitaires, Cerise travaille depuis 2010 en tant que guide- conf\u00e9renci\u00e8re ind\u00e9pendante dans les mus\u00e9es parisiens, cr\u00e9ant une vari\u00e9t\u00e9 de parcours de visite aux mus\u00e9es du Louvre, d\u2019Orsay et de l\u2019Orangerie, entre autres.<\/p>\n\n\n\n<p>Retour \u00e0 <a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/#detail\">\u00c9cole du Louvre | Bourse de Recherche<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":4127,"template":"","meta":{"_acf_changed":false},"institution":[79],"class_list":["post-7632","recipient","type-recipient","status-publish","has-post-thumbnail","hentry","institution-ecole-du-louvre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cerise Thelwall Doussot - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/cerise-thelwall-doussot\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cerise Thelwall Doussot - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s l\u2019obtention d\u2019une licence en histoire de l\u2019art au Courtauld Institute of Art (University of London), Cerise Thelwall Doussot a, sous la direction de Cecilia Hurley-Griener (Universit\u00e9 de Neuch\u00e2tel), \u00e9tudi\u00e9 en master d\u2019histoire de l\u2019art et de mus\u00e9ologie \u00e0 l\u2019\u00c9cole du Louvre la r\u00e9ception de l\u2019\u0153uvre de J.-H. 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Il obtient un doctorat en histoire de l\u2019art en 2021, sous la direction de Thierry Dufr\u00eane (Universit\u00e9 Paris Nanterre \u2013 Paris X). Il est laur\u00e9at de la premi\u00e8re bourse de recherche en histoire de l\u2019art d\u00e9livr\u00e9e par la Francis Bacon MB Art Foundation, dans le cadre du partenariat \u00e9tabli par la Fondation avec l\u2019\u00c9cole du Louvre. Sa th\u00e8se, intitul\u00e9e \u00ab Dans l\u2019\u0153il du peintre : regarder la biblioth\u00e8que de l\u2019atelier de Francis Bacon. Pour une m\u00e9thodologie d\u2019\u00e9tude des biblioth\u00e8ques d\u2019artistes \u00bb, parle du r\u00f4le de la biblioth\u00e8que de l\u2019artiste dans sa pratique et interroge ses enjeux m\u00e9thodologiques et historiographiques. Le texte offre de nouvelles perspectives au sujet des images-sources de Bacon, tandis que l\u2019\u00e9tude comprend \u00e9galement une base de donn\u00e9es orient\u00e9e graphe en 3D, qui permet de simuler, \u00e0 grande \u00e9chelle, les associations d\u2019id\u00e9es \u00e0 l\u2019\u0153uvre dans l\u2019esprit de l\u2019artiste. Il enseigne \u00e0 pr\u00e9sent l\u2019histoire de l\u2019art, notamment \u00e0 l\u2019Ecole du Louvre. <\/p>\n\n<p>Parall\u00e8lement \u00e0 ses activit\u00e9s universitaires, il a \u00e9t\u00e9 le commissaire de plusieurs expositions s\u2019int\u00e9ressant \u00e0 l\u2019imaginaire collectif, \u00e0 la mythologie et aux approches transchronologiques de l\u2019art (\u00ab\u00a0<em>Ulysse, Voyage dans une M\u00e9diterran\u00e9e de l\u00e9gendes<\/em>\u00a0\u00bb, 2021, HDE Var\u00a0; \u00ab\u00a0<em>Pierre et Gilles, La fabrique des idoles\u00a0\u00bb, <\/em>2019, Mus\u00e9e National de la Musique \u2013 Philharmonie de Paris). Il \u00e9crit \u00e9galement r\u00e9guli\u00e8rement des essais \u00e0 destination de catalogues d\u2019exposition (\u00ab\u00a0<em>En quelle langue faut-il \u00e9crire l\u2019histoire de l\u2019art\u00a0?<\/em>\u00a0\u00bb, in <em>Carambolages<\/em>, dir. Jean-Hubert Martin, Paris, R\u00e9union des Mus\u00e9es Nationaux \u2013 Grand Palais, 2016).<\/p>\n\n<p>Retour \u00e0\u00a0<a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/#detail\">\u00c9cole du Louvre | Bourse de Recherche<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":true},"institution":[79],"class_list":["post-7514","recipient","type-recipient","status-publish","hentry","institution-ecole-du-louvre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Milan Garcin - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/recipient\/milan-garcin\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Milan Garcin - 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Sa pratique artistique se concentre sur la peinture et la sculpture.<\/p>\n\n\n\n<p>Les travaux de Meir montrent des sc\u00e8nes de la vie quotidienne en utilisant un langage visuel qui \u00e9voque la peinture religieuse de la Renaissance. Dans cette confrontation, il cherche un niveau de signification qui permette d\u2019exprimer la port\u00e9e sociale et morale de ce qui est apparemment profane.<\/p>\n\n\n\n<p>Au sens figur\u00e9, le corps humain est un repr\u00e9sentant de l\u2019esprit et de la position sociale, une surface de projection et d\u2019attaque qui oscille entre le besoin de protection et le besoin de se montrer.<\/p>\n\n\n\n<p>Lukas Meir a d\u00e9j\u00e0 particip\u00e9 \u00e0 des expositions en France et en Allemagne.<\/p>\n\n\n\n<p>Il est laur\u00e9at de la bourse de la Francis Bacon MB Art Foundation \u00e0 l\u2019issue d\u2019une s\u00e9lection qui mettait en course 8 jeunes artistes dipl\u00f4m\u00e9(e)s en 2022 et 2023 de la Villa Arson, se distinguant par leur pratique de la peinture et du dessin.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"825\" src=\"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2023\/10\/huile-sur-toile-2023-1024x825.jpg\" alt=\"Huile sur toile, 2023\" class=\"wp-image-4883\" srcset=\"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2023\/10\/huile-sur-toile-2023-1024x825.jpg 1024w, https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2023\/10\/huile-sur-toile-2023-300x242.jpg 300w, https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2023\/10\/huile-sur-toile-2023-768x619.jpg 768w, https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2023\/10\/huile-sur-toile-2023.jpg 1229w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Huile sur toile, 2023<\/figcaption><\/figure>\n\n\n\n<p>Retour \u00e0 <a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/villa-arson-bourse-de-soutien-aux-artistes\/#detail\">Villa Arson | Bourse de Soutien aux Artistes<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"institution":[83],"class_list":["post-7634","recipient","type-recipient","status-publish","hentry","institution-villa-arson"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lukas Meir - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lukas-meir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lukas Meir - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"Lukas Meir a commenc\u00e9 ses \u00e9tudes d\u2019art \u00e0 la Kunsthochschule Kassel en Allemagne et a obtenu son dipl\u00f4me \u00e0 la Villa Arson \u00e0 Nice en 2023. 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Les travaux de Meir montrent des sc\u00e8nes de la vie quotidienne en utilisant un langage visuel qui \u00e9voque […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lukas-meir\/\" \/>\n<meta property=\"og:site_name\" content=\"MB Art Foundation\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-22T19:52:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.mbartfoundation.com\/wp-content\/uploads\/2023\/10\/huile-sur-toile-2023.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1229\" \/>\n\t<meta property=\"og:image:height\" content=\"990\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/\",\"url\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/\",\"name\":\"Lukas Meir - MB Art Foundation\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.mbartfoundation.com\\\/wp-content\\\/uploads\\\/2023\\\/10\\\/huile-sur-toile-2023-1024x825.jpg\",\"datePublished\":\"2023-06-11T19:35:02+00:00\",\"dateModified\":\"2026-02-22T19:52:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.mbartfoundation.com\\\/wp-content\\\/uploads\\\/2023\\\/10\\\/huile-sur-toile-2023-1024x825.jpg\",\"contentUrl\":\"https:\\\/\\\/www.mbartfoundation.com\\\/wp-content\\\/uploads\\\/2023\\\/10\\\/huile-sur-toile-2023-1024x825.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/fr\\\/recipient\\\/lukas-meir\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.mbartfoundation.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Lukas Meir\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.mbartfoundation.com\\\/#website\",\"url\":\"https:\\\/\\\/www.mbartfoundation.com\\\/\",\"name\":\"MB Art Foundation\",\"description\":\"site tagline\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.mbartfoundation.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lukas Meir - MB Art Foundation","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.mbartfoundation.com\/fr\/recipient\/lukas-meir\/","og_locale":"fr_FR","og_type":"article","og_title":"Lukas Meir - MB Art Foundation","og_description":"Lukas Meir a commenc\u00e9 ses \u00e9tudes d\u2019art \u00e0 la Kunsthochschule Kassel en Allemagne et a obtenu son dipl\u00f4me \u00e0 la Villa Arson \u00e0 Nice en 2023. 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En qu\u00eate d\u2019un aspect organique, v\u00e9g\u00e9tal et floral, il a recours \u00e0 toute sorte de substance pour peindre : vernis, r\u00e9sines, acrylique, laques, pigments purs et autre. Ces m\u00e9langes remplissent des dessins aux allures enfantines dripp\u00e9s sur des toiles tendues. Arbres, basket, lampes merveilleuses, horloges et cadrans, les figures apparaissent souvent par analogie avec d\u2019autres et de mani\u00e8re spontan\u00e9e. Le cycle de la peinture transforme les figures et donne lieu \u00e0 de nouvelles s\u00e9ries.<\/p>\n\n\n\n<p>Mathis Pettenati est laur\u00e9at de cette bourse \u00e0 l\u2019issue d\u2019une s\u00e9lection qui mettait en course dix jeunes artistes dipl\u00f4m\u00e9(e)s en 2020 et 2021 de la Villa Arson, se distinguant par leur pratique de la peinture et du dessin.<\/p>\n\n\n\n<p>Retour \u00e0 <a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/villa-arson-bourse-de-soutien-aux-artistes\/#detail\">Villa Arson | Bourse de Soutien aux Artistes<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"institution":[83],"class_list":["post-7635","recipient","type-recipient","status-publish","hentry","institution-villa-arson"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mathis Pettenati - MB Art Foundation<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbartfoundation.com\/fr\/recipient\/mathis-pettenati\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mathis Pettenati - MB Art Foundation\" \/>\n<meta property=\"og:description\" content=\"N\u00e9 en 1997 \u00e0 Toulouse, Mathis Pettenati vit et travaille \u00e0 Bruxelles. 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Elle dispose des mat\u00e9riaux de r\u00e9cup\u00e9ration (rebuts) sur lesquels elle intervient graphiquement pour amener une figuration qui va du champ m\u00e9dical (planches d\u2019anatomie) au registre publicitaire en passant par le graffiti.<br>La puissance po\u00e9tique ou d\u2019\u00e9vocation de ses \u0153uvres r\u00e9sulte d\u2019ambigu\u00eft\u00e9 qui vaut pour les titres comme pour les contenus. Ses travaux soient habit\u00e9s par des repr\u00e9sentations macabres (des squelettes et des corps accident\u00e9s).<\/p>\n\n\n\n<p>Mouna Bakouli est laur\u00e9ate de cette bourse \u00e0 l\u2019issue d\u2019une s\u00e9lection qui mettait en course quatorze jeunes artistes dipl\u00f4m\u00e9(e)s en 2018 et 2019 de la Villa Arson, se distinguant par leur pratique de la peinture et du dessin : Rapha\u00ebl Barrois, Elsa Belbacha Lardy, Hugo Bench, Beatrice Celli, Johan Christ Bertrand, Basile Ghosn, Maeva Grapain, Damian Junges, Celeste Lerouxel, Cl\u00e9mence Mauger, Elvire Menetrier, Amentia Siard Brochard et Janna Zhiri.<\/p>\n\n\n\n<p>Cette attribution donne lieu \u00e0 une exposition intitul\u00e9e \u2018Mwen malad aw\u2019 que l\u2019artiste dessinatrice, peintre et sculpteur, a r\u00e9alis\u00e9e in situ et qui sera visible jusqu\u2019au 12 janvier 2020.<\/p>\n\n\n\n<p>Retour \u00e0 <a href=\"https:\/\/www.mbartfoundation.com\/fr\/activities\/bourses-et-prix\/villa-arson-bourse-de-soutien-aux-artistes\/#detail\">Villa Arson | Bourse de Soutien aux Artistes<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"institution":[83],"class_list":["post-7636","recipient","type-recipient","status-publish","hentry","institution-villa-arson"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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